Counterattack (The Corps Series Book 3)
by W.E.B. Griffin
Another W.E.B. Griffin book that’s part
of yet another series. These books are
kind of strange in that I find them quite enjoyable, yet when I describe the
books to someone, I’m a bit mystified by my appeal. I guess you really have to read them to “get
it”. So give credit to the author. This series (like the first one I read by him,
“The Brotherhood of War”) is about the military. Specifically, this book, the third in the series
titled “The Corps”, takes place in World War II. It starts directly after Pearl
Harbor and finishes with the landing at Guadalcanal.
Like most of his military books, there
really isn’t that much “war” within the pages.
The book mainly deals with many of the soldiers (in the Marine Corps; of
course) and their training, their assignments, and the overall politics of military
life. The characters mostly repeat from
book to book in the series, yet as I recall, the events and timeline in this
book run parallel to Book 2. So some
similar characters, but a lot of new ones.
There’s almost TOO many new ones.
Fortunately, every time the author introduces a new character, he spends
an adequate amount of page space detailing the person and their background.
This allows us not to lose the individual in the “shuffle” since after we meet
them for a chapter, we might not read about them again until 100 pages later or
so.
Again, there’s a LOT of actors in
this particular play. Then, of course,
every time we’re reintroduced to a recurring character from a previous book in
the series, we read a lengthy background about them as well. Even though we “should” be familiar already
with these characters, Griffin is smart enough to know most readers probably
won’t retain the characters and their histories over such a large period of
time.
We read an awful lot about politics
within the ranks, and this really shouldn’t surprise us. Not all soldiers are warm, cordial, and
loving to each other and there’s plenty of jealousy and backstabbing amongst
the members of the corps. It seems the higher one goes up the chain in terms of
military rank, the more tension and resentment occurs.
Of course, then we come to the women in
the story. Now, I’m not sure if this author
would be considered sexist or liberating when discussing his female characters. The only reason that there are ANY women in
this book, is so she can quickly shack up with one of marine corps members quicker
than you can say Semper Fi. Maybe I’m naïve,
but were all women that slutty in the 1940s?
I would hope not. I mean Every. Single. Time a woman enters our story
she’s quickly in bed with one of the soldiers.
Of course, there’s always women who enter our story who are already
engaged or married to a soldier fighting in the war sometime, but the author
always manages to kill off the boyfriend/husband in battle so our female
characters can quickly hook up with a soldier.
It seems awfully silly at times. The only thing more ubiquitous than the
sex in these stories is the booze. It
seems every officer, in every situation is never far away from a liquor cabinet
stocked with cases of Scotch. Again, maybe
this was par for the course during the times.
I think the only thing that I really didn’t
like about this book is that we have one marine captain who reports directly to
(real) Secretary of Navy Frank Knox.
When our captain sends the Secretary confidential “eyes only” documents,
Griffin decides to include the whole correspondence within the secret files;
meticulously detailed in a different font than the rest of the book so it “stands”
out as being different. This isn’t bad
by itself, but the correspondence that our character sends seems awfully
detailed with useless trivial details about matters mostly
inconsequential. Don’t cabinet members
have more important things to do with their time than read such insignificant
ramblings? I mean, if I’m bored as a
reader, I can only imagine how the Secretary of the Navy felt.
So not a lot of war, but a pretty
decent story with a lot of “how it really works” as far as military matters go. These books are quite light reading even if
they’re not necessarily brief. It’s
best, though, to start at the beginning if you’re going to read any of the
books in the series. Not crucial, but best.
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