Reputation is a Fragile Thing: The Story of Cheap Trick by
Mike Hayes with Ken Sharp
Reputation is a Fragile Thing is book by a serious fan of
the band Cheap Trick that is really only for other serious fans of Cheap
Trick. Sadly, this simply is not a very
well written book. I don’t know much
about the author, but apparently this is not the first book he’s written about
a music group. I’m a bit surprised as
this thing seemed to be majorly unfocused.
Personally, I consider myself a serious fan of Cheap Trick, and whereas
I did learn a few things, I basically cringed my way throughout my reading
since there seemed to be no attempt by the author to write a serious work. This
is definitely not a ‘bio’ and it really isn’t a ‘story’ either. It’s basically a
regurgitation of everything this band has done since its inception up until
around 1998 (when the book was written).
One gets the feeling that the author never even interviewed
the band. I’m not saying he didn’t, I just didn’t feel as though he did based
on what I read. It seemed like what the
author might have done was go through all of the rock magazines he collected as
a kid, and then crafted the story here from what has already been written about
the band. There’s very little in this
book about the personalities in the band and what really drives them. Instead,
this book seems to rush through their musical career. Not necessarily a bad
thing, but again, there’s no real imagination or creativity behind the written
words. The entire book reads like:
“The band then found themselves exhausted after another
long tour.”
“….then Rick went and helped the band xxx record the songs, “abc”, “def,” and “ghi” for their new album.”
“….meanwhile, Robin appeared on stage with the band yyy and helped play the songs “bcd”, “efg”, and a rousing version of “hij”.
“….then, the band went back into the studio and recorded demos of songs they never used with the titles…..”
“….then Rick went and helped the band xxx record the songs, “abc”, “def,” and “ghi” for their new album.”
“….meanwhile, Robin appeared on stage with the band yyy and helped play the songs “bcd”, “efg”, and a rousing version of “hij”.
“….then, the band went back into the studio and recorded demos of songs they never used with the titles…..”
The entire book is like this, and it rarely lets the reader
up for air to breathe. To be fair, Cheap
Trick did move at a very fast pace; especially during the early years (they
released six albums from 1977 to 1980), but it’s maddeningly upsetting that
there’s so little introspection here. If
the reader wants to find out why Tom was fired in 1980, there’s not a lot here
that won’t tell the reader what they already know. If they want to find out why Pete (Tom’s
replacement) was fired, there’s even less.
A Google search can yield better results. To be fair, this book was written in 1998
before the internet became as well known, so maybe such criticisms I’m making
are a tad unfair. We must also remember
that the acrimonious split with drummer Bun E. Carlos didn’t occur until around
2010, so there’s nothing here that would indicate any kind of squabbling
amongst the members.
The entire book feels ‘homemade’. It feels like the author
wrote it, published it, and sold it all from his basement. There’s a couple of page groupings that
contain pictures, but even this feels very haphazard. Many of the pictures are rare, so they’re fun
to view, but they’re all in black and white and thrown in the book without any
thought or care.
Most of the book’s chapters are broken down by album with
titles like “Next Producer Please” and “Back and Busted”, so you can tell by
just reading the chapter titles that the author’s imagination is somewhat
limited. The author also feels the need
to list EVERY song on EVERY album with comments about each song in this book
that doesn’t really serve much purpose.
On rare occasions we do read about some interesting tidbits about a
particular song, but most of the commentary contains such tripe as
“…’Baby No More’ speeds along at 100 MPH, a frenetic grunge
styled number with Bun E’s Ludwig kit bearing the brunt of abuse…”
This gets old quick.
We really don’t need this sort of commentary about every song the band
ever wrote and recorded. The author even feels necessary to do this for their
live albums, the live Chicagofest 81 show, Zander’s lone solo album, and Tom’s
one album that he recorded with his ex-wife.
Now, I fail to see the point in the author doing this. Casual fans couldn’t care less, and serious
fans would only be impressed if the song featured some deep, unknown factoid
that serious fans enjoy. At times I felt
like I was reading a fan post his review of an album on an Internet Board.
There’s also a lot of silly references to what the band did
(or didn’t do) in England. Why all the
focus on England? JAPAN was where they
exploded. Right? I then realized the
author is from England. Oy.
Perhaps my biggest frustration with all of this is the
price of the book itself. The paperback
version costs $34.95 and it’s barely 200 pages of reading material. Maybe if the book cost half that much I would
have not been so seriously disappointed.
Again, the serious fan probably needs this in their
collection. These are the fans that buy
every picture disc they can get their hands on, as well devote a huge chunk of
their disposable income to travel all over the country to see multiple shows by
the band every year. Yes, this type of
fan needs this book so they can post it in their homemade Cheap Trick museum in
their basement. Everyone else can, and
should, skip this one.
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