London – by Edward Rutherford
It’s impossible to even look at the cover of this book,
without ever reading it, and not think of the author James Michener. Michener was the master of
titling many of his epic novels with a geographic location, and then tell the
story of that location with a wide array of characters that would usually span
thousands of years. The purpose of this type of novel is to tell a great story,
but to also make the characters somewhat secondary so the author can focus on
the many events that shaped the particular location where the stories take
place.
And, yes, this book does just that. It begins many years before Christ and ends around
1940 when Hitler unsuccessfully tried to bomb the city of London into
submission. Throughout the two thousand
years or so, we focus on the same few ‘families’, so each time we arrive in a
new century with a new story, we’re meeting the ancestors of characters we’ve already
met. However, I was left with the impression that Edward
Rutherford doesn’t quite do as good of a job as James Michener normally did; at
least not in this book.
First, Rutherford covers way too much ground and it feels
like, as a reader, I scarcely had time to catch my breath. Every time I would
start to settle into another ‘time’, I would quickly be jarred 5, 10, 20 years
in the future, and I had to unscramble my brain to keep up with the progression
of all of the characters, their new surroundings, their new children, their
different predicaments, and so on and so on.
To the author’s credit, he tries to keep his reader grounded by pointing
out the obvious similarities between the family members over the generations. The main family in this book, for example,
are always distinguished because it seems like they all have a ‘white patch of
hair’ in the center of their forehead, along with webbed fingers. This is the authors way of telling you that
you’re reading about a descendant of some of the characters you’ve already read
about earlier in the book. It helps somewhat, but I kid you not, it seemed like
this book contained about two or three dozen characters over its 2000 years
that have this physical peculiarity. I simply couldn’t keep up.
I also wish that he would have focused a tad bit more on the
last couple hundred years. Whenever I
think of ‘historic’ London, I think of the 1800s when people like Charles
Dickens, Arthur Conan Doyle, Florence Nightingale and Alexander Graham Bell
roamed the streets. Sadly, this doesn’t really
happen. If I’m not mistaken, by the time we get to page 800 or so (out of an 1100-page
book), we’re still stuck in the 17th or 18th century. This book was a tad too weighted on ‘The Middle
Ages’ for my tastes. I was hoping for more latter-day stuff; at least when the
horse and buggy was predominant.
Then, the author also seems to feel obligated to inundate
his reader with ALL of the history of London.
Each time we read a new section, we have to read about the architecture,
the politics, the key political figures, the royalty, the achievements, the
origins of the nomenclature and on and on. It was oh so easy to just lose
interest and tune out. I must admit, it’s
kind of cool to read about the (tragic) history of ‘Ring around the Rosie’ and
the origins of things like ‘Greenwich Time’, but again, it simply seemed like
too much.
The good news is that when Edward Rutherford is actually
telling a story, he tells a really good story. This leads me to conclude that
had he not tried to put SO much here, I might have enjoyed the book a bit
better. I confess there were times near the end when I simply wanted to finish
the thing, and I didn’t really care too much about what happened in many of the
latter chapters. In fact, I must admit
there were a few chapters near the end that I just skimmed through much of the
minutia hoping to come across some story. Sometimes I was successful, other
times not so much.
More good news is that the sentiment of many of the Amazon
reviewers seems to be in agreement with me, and most state that, of all of
Rutherford’s works, this one isn’t as good as many of his others. Since this
was my first book by this author, this means I’ll definitely pick up one of his
other books and try him again. As I said, he does know how to tell a good story
when he’s not trying to give his readers a detailed, mundane history lesson.
I would conclude by saying that I felt that this book could
have been twice as good if it were only about half as long.