Shogun – by James Clavell
“Love is a Christian
word, Anjin-san. Love is a Christian thought, a Christian ideal. We have no
word for ‘love’ as I understand you to mean it.”
James Clavell’s Shogun is one of those rare books that
manages to suck you directly into the pages of the story. At times, you don’t
feel you're reading about the alien country of Japan in the year 1600, but you
feel as though you’re actually there experiencing the history, the politics,
the geography and these strange, unfamiliar people. I use words such as ‘strange’, ‘alien’ and
‘unfamiliar’, because from a European perspective in 1600, such a land may as
well have been on another planet.
John Blackthorne is a Dutch captain of a trading ship that
is the first from his country to attempt to sail to Japan. His goal is to reap
the commerce of Asia. The ship is swallowed up by a storm and wrecks off the
shore of Japan, and he and his remaining crew are taken prisoner by these
strange indigenous people. It seems as
though the Japanese don’t welcome such foreigners on their land – regardless of
the reason. Immediately the crew goes through various degrees of captivity and torture. It is soon discovered, though, that John
Blackthorne just might be smart and educated enough to serve the Japanese and
their broader purpose.
It’s here that the book reveals the main storyline. The Japanese people are quite barbaric, and
there is an unending quest for power and domination amongst the different
habitants. Through the bizarre system, the country is essentially divided into
two loyalties. One, is Lord Toranaga, the president of the Council of Regents.
The other, his rival on the council, named Ishido. Both Toranaga and Ishido have
the goal of becoming the ultimate leader in Japan, the Shogun. Toranaga has a
bit of a disadvantage, yet slowly starts to see how this ‘barbarian’
Blackthrone (called ‘Anjin-san’ by the Japanese, as they can’t pronounce his
real name) can aid him get the upper hand with this lifelong struggle. So
Blackthorne becomes a very valuable pawn for Toranaga in a bloody, brutal,
never-ending chess game.
I’ve basically described the plot, but there is oh so much
more here. The paperback edition clocks in at over 1,200 pages. In addition to
love, betrayal, religious schisms, lots of suicide (called ‘seppeku’), and ongoing
manipulation, we’re exposed to what makes Japan such a strange, baffling
country. Blackthorne simply can’t understand many of these brutal customs. At
one point, his translator-friend-lover Mariko explains to him that ‘love’ as he
knows it simply doesn’t exist for her and her people. In 16th century Japan, there is
honor, loyalty, duty, and subjugation, but nothing that closely resembles love.
Of course, the sentiment goes the other way as well. The Japanese can’t comprehend European
thought either. Example: it’s a sacrilege to them that a European would go for
a week (or in the case of these characters, several years) without
bathing. They also can’t fathom how
Blackthorne can actually eat something as hideous as ‘meat’ in his diet. When he tries to explain to his kitchen staff
how to prepare a pheasant for cooking, several of the natives run out of the
kitchen to be sick.
So in addition to the political cat-and-mouse story going
back and forth, we also see Blackthorne slowly becoming ‘Japanese’, and his
companion Mariko starts to slowly become westernized as well. When I finished this book, I couldn’t help
but reflect that this wasn’t exactly a book chock-filled with adventure. Nor
did the story seem to take place over a long period of time. You might expect
this to be the case with a 1,200-page book, but most of what was in these pages
was slow-moving reflections, careful dialog, and the ability for the reader to
comfortably let the time and place of Japan slowly be absorbed into their
veins.
There are a few other European characters scattered about
the story – mostly Portuguese Jesuits that have their own agenda, but there are
a ton of different Japanese characters. It’s a bit difficult to keep track of
who is who. We also have instances where many of the main characters are only
referred to in the book as opposed to actually showing up in the story. I found
myself having to constantly ask “Who is this guy again?” Fortunately, this
never took away from my overall enjoyment of the story. In fact, as someone who tries to read 40-50
books per year, I can honestly say this book easily catapulted itself into my top
10 (or maybe top 5) of all time. This
book was master storytelling.